After being disappointed by the newest Jane Eyre (save for Michael Fassbender, of course, duh), I decided to go back and re-watch the 2006 version with Ruth Wilson and Toby Stephens and re-read the novel. I was reminded of why I loved Jane Eyre in the first place. It’s like reading chick lit, only with much better writing and a much more intelligent, sensible, feminist heroine with bucket loads of integrity and an iron-will. In a time when people gain fame from accidentally leaked sex videos and most music videos consist of humping and grinding, it’s refreshing to find a leading character who is, and who wins in the end, by being a good girl. A very good girl, in fact. While being a good girl may never be cool again, Jane Eyre is a reminder that it’s still possible to be a lady, stay true to oneself, stick with your morals, and still get the dark, brooding leading man at the end.

The 2006 mini-series with Ruth Wilson and Toby Stephens, the best (read: sexy but still accurate) version to date
Here are a few quotes from the novel that struck me as particularly relevant…
On the restlessness of (my) human nature
“I climbed the three staircases, raised the trap-door of the attic, and having reached the leads, looked out afar over sequestered field and hill, and along dim sky-line — that then I longed for a power of vision which might overpass that limit; which might reach the busy world, towns, regions full of life I had heard of but never seen — that then I desired more of practical experience than I possessed; more of intercourse with my kind, of acquaintance with variety of character, than was here within my reach. I valued what was good in Mrs. Fairfax, and what was good in Adele; but I believed in the existence of other and more vivid kinds of goodness, and what I believed in I wished to behold. Who blames me? Continue reading →
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